03/20 London, England

February 08, 2008

London, England

Eagles will be doing a series of dates at the 02 Arena in London. Shows will take place on March 20, 22, 23 and 26. They will come back to play April 5th.

If you plan to attend any of these shows, use the comment button below to meet up with other fans. We know several of you would like to plan a get-together. After the show, come back to share your experiences. Remember, we'll all be particularly interested in reviews of the show on the 20th because it will be the first show of the tour.

The Crowne Plaza London--Docklands has a special deal for fans attending the show. Details are: We would like to offer the fans that are attending the concert the special rate of £125 per room per night including Full English Breakfast and VAT and a FREE travel card to get to and from the O2 Arena, to book this rate they need to call 020 7055 2101. Please note this is subject to availability and terms and conditions apply.  If you call, let them know you read about it here.

March 20, 2008

Andy's 3/20 Review

Just returned from the opening night of the LROOE Tour in London.

i will try and list as much of the set list as i can remember

How Long
Busy being fabulous
I dont want to hear anymore
Guilty of the crime
hotel California
peaceful easy feeling
love will keep us alive
in the city
walk away
witchy woman
boys of summer
lyin eyes
long run

2nd Half

NMWITW
LROOE
take it to the limit
somebody
weeds
no more cloudy days
one of these nights
dirty laundry
funk
heartache tonight
Lifes been good
Life in the fast lane

Encore 1

Rocky Mountain Way
All she wants to do is dance

Encore 2

Take it Easy
Desperado

Think thats it, the order is all messed up, lost my memory in all the excitement.

Will upload some videos when i get home tomorrow

The backdrop of the stage is two semi circles, one taller than the other. They kept the black suits on for the whole show, alhtough the jackets came off in the 2nd half

Joe used Helmet Cam V2 ( a blue baseball cap with a camera perched on top of it), think i was on screen as i was just to the right of the stage as we look at it

At the end of dirty laundry they showed some local papers on the big screen, take it each show will be localised in this way, and at the end of this montage they displayed some magazines with each band member on the front, e.g headline Glen Frey wins the Masters and Joe Walsh sued by Monkey, Don Henley  cures global warming or something like that

There were loads of old photos shown on the screen while joe was singing one of his numbers.

A few of them had trouble hitting the high notes and there was just silence.

The end of the show was very similar tp the Farewell 1 tour in song selection, Joe was in great form in the 2nd half, said he woke up this morning and his voice was deeper. There wasn't much talking by Don, a wee bit by glen, timothy thanked Paul Carrack for writing LWKUA, he was in the audience..

Overall a good show, worth the £110

The Times: Eagles at the O2

The group who famously vowed that Hell would freeze over before they deigned to play together again were back in London last night to begin yet another world tour.

This latest outing is to promote Long Road Out of Eden, the first album of new material to be released by the Eagles since 1979, and true to form, singer, guitarist and drummer Don Henley has declared it will be “probably the last album that we’ll ever make”. But you wouldn’t bank on that, given the scale of its success, never mind the band’s tendency to renege on such statements. There was a sense of quiet vindication in the air as they set about performing some of the album’s new songs in public for the first time. As they began with a sprightly soft-rocker called How Long, the four remaining principals — Henley, Glenn Frey, Joe Walsh and Timothy B. Schmit — stood across the front of the stage in their immaculate dark suits, looking like the chairmen of the board. Semi-detached guitarist Steuart Smith completed the front line.

The sound was immaculate in the way that only soft-rock groups can make it. But sturdy as the new songs were, they were not what the audience had come to hear, and the show moved up a gear as soon as they hit the opening chords of Hotel California, the first of many old favourites threaded throughout the set. The long guitar duet at the end of the song was played by Smith and Walsh with eerie precision, every note and nuance of the recorded version reproduced with an immaculate polish. The second half of the show began in a more subdued mood, with the five men all seated, strumming acoustic guitars and weaving the melancholy harmonies of No More Walking In The Woods and Waiting in the Weeds.

It was pleasant, if a bit inconsequential. But the drama increased when they embarked on the title track of Long Road Out of Eden, during which Henley took centre stage to deliver his lyrics, railing against the ills of an American nation “bloated on entitlement, loaded on propaganda”. Well he would know, presumably.

While they pushed the new songs as much as they dared, most of the show was as backward looking as expected, and indeed required, by their audience. Walsh did his crazy old loon routine performing Life’s Been Good. Henley trotted out Dirty Laundry while images of tabloid headlines piled up behind him.

By the end they had reverted to full Greatest Hits mode with a long string of encores including Heartache Tonight, Life In The Fast Lane, Take it Easy and a final nostalgic singalong of Desperado. Poised, polished and predictable as ever.

March 21, 2008

Don On Top As Eagles Fly On (The Mirror)

tipster: Jill

Kings of 70s Californian rock, the Eagles last night commenced a five-date run at London's O2 by proving their glories do not just reside in the past.

Unlike so many of their ageing peers, Don Henley and Co have a contemporary hit album to play alongside their vintage classics. Serious, suited and ready to go to work, the four-man line-up's recent hit How Long got the show off to a country rocking start.

An early outing for 1976's Hotel California also served to give notice of the riches in store.

And Glenn Frey delivered the still-shining ballad Lyin' Eyes beautifully.

But it was Don Henley, dedicated team player and the band's reserved but implacable central force, who ruled the roost. Rock drummers who are also lead singers are still rare and they do not come any better than Henley.

He matched the reggae beat of Hotel California and the soulful drive of One Of These Nights with vibrant and impassioned vocals.

After weathering several line-up changes in their fourdecade career, democracy is now central to The Eagles' epic three-hour set.

But once again Henley showed their current relevance with his withering condemnation of US foreign policy on the masterful 10-minute-plus title track of the 2007 double album Long Road Out Of Eden.

Blending pristine professionalism with emotional commitment, the Eagles' Life In The Fast Lane has not robbed them of their unique talents.

No band from their generation is able to fly so high.

Another Night to Take it Easy in the Luxury of the Hotel California (Daily Telegraphy)

Eagles_dt21_03_08 Tipster: Jill

Click the review to see it bigger.

Emma's Review

I was there last night!!  I'd never been to the O2 before, so that in 
itself was an experience.  There's no shortage of places to eat along 
"Entertainment Avenue" in the arena.

The seating inside isn't as big as you think.  The  seating goes up 
to the 4th tear, which is real nosebleed, but the floor seating is 
relatively small, so everyone will have a good view.  The place was 
packed out though - no empty seats near me.

I've taken loads of photos, but the stage was good.  At first I was 
disappointed because there isn't a lot on there. Mike has already 
described the stage backdrop as being 2 semi-circles, which turn out 
to be screens.  It reminded me a lot of the Millennium stage.  Part 
of the fun before the show started was watching the 5 lighting guys 
climb up onto the lighting using a rope ladder!  They all got a round 
of applause!  They were playing Katie Tungstall as we went in.

The boys came on a bit late, but they all looked very, very well.  I 
think Joe and Glenn have lost a little weight!!  They were each 
dressed in black  suit and tie, with white shirt. They reminded me of 
the Rat Pack.  They started with How Long, which went down really 
well.  What surprised me, was that the some of the audience around me 
were there because they knew the new album.  Some people didn't even 
know their earlier stuff.  The first half was mainly the new album, 
(the set list has already been posted) and the second half was 
longer.  Joe's voice wasn't in good shape, but he did explain that 
when he came out.  I'm sure Glenn had gone over to help him with some 
of the high notes at one point, because Joe just couldn't reach 
them.  Tim had a bit of difficulty reaching a few notes on LWKUA and 
I thought it took a while for Don's voice to warm up.  He did a great 
job on holding that note at the end on Desperado.  Glenn's voice 
seemed to be in the best shape.

The second half was definitely my favourite!  The jackets came off 
(Except for Joe for a while) and they played really well.  They all 
seemed to be getting on really well on stage and joking.  Glenn and 
Joe did a guitar Duel before Funk, and Glenn hammed it up when he 
realised he couldn't keep up with Joe.  There was a bit of 
spontaneity with Joe's playing for a while.  Long Road Out Of Eden 
was very dramatic.  They had the screens on at the back, and the 
movie that was playing matched the song perfectly, note for note.   
One thing that struck me about the show, is how well produced it 
was.  The back drops and staging was brilliant. For HC they had the 
silhouette of the hotel behind them, but somehow it looked better 
than it usually was.  For some of the songs, they had funky guitar 
patterns, or shaped patterns going on behind them.  During Life's 
Been Good it was the funniest though.... I was laughing out loud at 
what I saw. Don was on the drums and signalled to the audience to 
watch behind him, and you're not disappointed!  As Joe went into the 
song, it started showing old photos of Joe, most of which weren't 
very flattering or were very funny. I hadn't seem most of them 
before!  They'd look really, really good on a DVD! ;)  They went into 
show photos of Glenn, who obviously doesn't mind making fun of 
himself, and then they showed photos of the band including Bernie and 
Randy as well. They showed some footage of them all, which was 
hilarious. All this was while Life's Been Good was going on.

During Dirty Laundry (which sounded fantastic btw) they showed 
another montage.  You can tell they're in Europe and can get away 
with it, because the footage was all of Rupert Murdock, Jerry 
Springer, Dr Phil and loads of other trashy TV.  They started showing 
headlines from some of the trashy magazines we have over here too, 
like Hello, OK, Chat etc.  Someone has put a lot of work into that 
film production.  The end of the montage was each of the 4 members of 
the band on their own front cover.  "Tim auditions for Harry Potter 
8", "Glenn Frey wins The Masters", "Don Henley solves global warming" 
and "Monkey sues Joe Walsh."  The audience found them all funny.   
There was a particular dig at Heather McCartney in one of the shots, 
and I swear Henley changed a few lines to 'she' - which had already 
made me think he was referring to Heather. It would be interesting to 
see if he mentions the case over the next few days.

During In The City, the montage changed key again and went to a 
Google map. The map honed in on NYC and the montage started.  Again, 
the montage was nearly as exciting as the song was!  Henley didn't 
talk very much, Glenn did most of the talking.  He did the 
'plaintiff' joke (hasn't he been doing that for like 10 years now?!?) 
and the 'credit card' joke with Take It To the Limit.  BTW, that song 
sounded particularly good too, a lot of it was acoustic as I 
remember.  Boys of Summer was again really good, with the montage in 
the background, but unfortunately, there was no guitar line up.  I 
was quite disappointed at that.  I think the sound throughout was 
excellent, and I'd even go as far as to say it was better than I 
remember.  It was excellent without being too loud - your ears 
weren't ringing when you came away like most times.

I'd say it was well worth going to see the show, especially if you're 
a bit fan of the new album.  You could tell it was the first night 
last night, so It will be interesting to see the show progress over 
the next few nights.  I'm at Saturday and Sunday's shows too, and 
April 5th!!

Pawmuk's Review

Well Wednesday afternoon I wasn't going... but thanks to L&M's ticket announcement yesterday I was there about 6 rows from the front applauding the chaps on to the stage.

The 02 was full but not a sell-out. They're going to struggle to get fans in over the Easter weekend with nightmare traffic on both road and rail.

Because the concert started about 20 minutes late, I had to leave early to catch the last train back to my desolate outpost of Manchester!

I made lots of notes on the train back home;

All wearing black suits. Dark shirts for the back up guys, (there's a new chap in the line-up - Richard Davis, stage right, keyboards, seated percussion and lots of vocals). They all do lots of vocals 'cept Crago. He reminds me of Dr John. White shirts for Glenn, Joe, Tim (looks like a hip sixth form student) and Don (sporting his favourite shoes)

Harmony vocals have never been better. Glenn sounded great, Tim great as usual (3 songs!) Don sounded great except on the oddnd Joe's high notes during In The City were imaginary.

Don looked disgusted when he botched an early high note in One Of These Nights and made damn sure he hit all the right notes at the end of the song. Really struggled at the end of Witchy Woman.. I can't believe he still goes for them!

No More Walks In The Wood is much better than 7 Bridges IMHO and is proceeded with a Silent Spring "back to your seats" type instrumental prelude which I enjoyed.

GOTC and Somebody really rocked. In fact all the Walsh driven songs really rocked... and then some! Joe added extra bars to all his solos. Is it just me or is Don the worlds worst for rock guitar posturing?

LROOE was spoilt by roadies rushing around adjusting the stage during the mood setting intro which, sadly, I think was piped. I didn't see anyone playing doudouk.

As for guitars, I watched carefully so I missed what was on the screen, mostly Joe, Steuart during the "Petroleum Club" verse, Joe and Steuart both play the last part of the blistering solo then Steurt plays that fantastic mysterious eastern guitar bit that preceeds the next verse.

No spotlight on Tim during his bass doodlings and all stand statue still at the end.. except M Robinson who sneeks off back to the piano. (Maybe I was too close and wasn't supposed to notice.)

Don forgot the words at one point and seemed to start singing when he wasn't supposed to. I thought the performance of LROOE was very tense and nervy.
Lots of newsreel type stuff on the screen during Dirty Laundry and amusing band photos with a certain DF skilfully edited out during Life's Been Good. Steuart play's Joe's guitar solo during helmet-cam with Joe joining in when he feels like it.

Steuart was brilliant on One Of These Nights and Boys Of Summer. Set one had a very strong finish. Halfway through In The City, Joe ditched his slide and threw in a fingery solo before the horn chart starts.

Funk 49 starts with a little bit of humourous guitar interplay between Joe and Glenn.

Don sounds a bit weird singing Waiting In The Woods (an unusual key for him but the harmony singing by everyone is fantastic

I had to leave as Rocky Mountain Way started. I was devastated. It's probably the best gig I've seen them do.

There's probably stuff I've forgotten to mention, I should check my notes... sorry it's so haphazard but it's 7 in the morning and I haven't slept yet.

Good Morning.. oh that reminds me, that were Joe's first words.

Joe gave us a public information reminder that soon we'll have to adjust our clocks an hour forwards or an hour backwards he don't know which, and Glenn still introduced the credit card and plaintiff songs. I thought he might've dedicated Lying Eyes to Heather Mills (no longer McCartney). bye

Debbie's Review

It really was a wonderful show; my SMS fingers had never worked so hard!! A few comments... I was so thrilled to hear WITW live and although there was warm applause, I seemed to be the only person I was aware of really giving it the cheer it deserved. It was a beautiful if restrained rendition, but I think they are all still getting their tonsils around it, and Don, Glenn, Joe and Steuart each handled some deft guitar work, so the playing and gymnastic singing wouldn't be easy this early on. I hope they stick with it. The visual footage on the screen during the song was exactly the way I have always seen the song when I hear it, but for me personally I almost wished they hadn't shown the footage and given the song's imagery away so readily. Getting to know a song and "seeing" it is such a personal thing, and I felt they were making it too easy for the audience. Ditto with the footage they assembled for LROE, although the footage for both songs was gorgeous and quite haunting. With the older songs, the footage created was fantastic, often hysterical (LBG) and sometimes so fascinating (DL) that I was watching the screen rather than the band! (And photographing it every few seconds when the images on the screen changed). In TIE the images included a corner, presumably in Arizona, maybe Winslow, I'm not sure.

Joe was in fantastic form, his solos in the 2nd half were just great, so nice to see him taking the lead in LROE and Somebody, especially when we weren't (and still aren't) sure who was playing on the record. I'm not wild about the suits; Don looked way too buttoned-up. I was relieved when some time in the 2nd half he loosened his tie at least. He looked like a businessman getting up and jamming with the band at a corporate function! And surely he was hot, drumming in that suit jacket.

I was in the 10th row so had a good overall view of the stage and screen. Looking forward to being closer for the two other shows I'm seeing.

Note: photography on small cameras is allowed with no flash.

Yes, it was worth the trip over from Australia! But the weather here is abysmal, and being locked out of the Underground station for nearly 30 minutes in the freezing rain due to overcrowding was not fun!

Oh, lots of merchandise, including a very cool limited edition poster (£30) and a huge range of t-shirts. Very expensive fleecy-lined grey hoodie at £60! I resisted.

A Photo

Steve sent us this photo he took at last night's show.
Eagles_at_the_o2

Sad One's Merchandise Report

Merchandise:

Tour Programme (£10) - Includes photos from the LROOE CD booklet, stills from the How Long video plus a couple of extra shots as individuals (including the one of Don on Performing Songwriter).

T-Shirts (£20-22) - Seven different T-shirt designs (four male (£20), three female (£22)), plus two different rugby shirts (£60) and a hoody (£60) - the hoody had the best image on it (but, unfortunately, a hoody does not suit my image at 47 years old!! )

Lithographs (£30) - Limited editions with two different designs.

Plus mugs and a few other smaller bits 'n' bobs.

There was also a selection of t-shirts from the Farewell I Tour in 2006.

My Photo